https://whosirisgu.com/vol-00-1
2026-05-23T20:51:52+00:00
always
0.5
https://freight.cargo.site/t/original/i/N2951346485595422948636358072887/Trifold-Brochure-Mockup.jpg
<h2>I chose Times New Roman as the core font. This choice
stems not only from its classic, rational, and highly legible
visual characteristics, but more importantly, from the
subtle visual resonance it creates with my personal brand
concept.
The most crucial element in the brand name is the "1"—
symbolizing a new beginning. Visually, there's a simple yet
restrained similarity between the Arabic numeral "1" and
the Roman numeral "I," and the serif structure in Times
New Roman reinforces this "classical symbolism," creating
a subtle cross-temporal dialogue between the concept of
"1" and the modern era. Therefore, this font not only serves
to convey information but also participates in expressing
the core concept of "new beginning" within the visual
context, making the typography itself part of the brand
narrative.<br />
<br />
</h2>
https://freight.cargo.site/t/original/i/A2951346599836108997119611230775/hang-tag-mockup.png
https://freight.cargo.site/t/original/i/A2951346973345783001590612351543/business-card-confirm2.png
https://freight.cargo.site/t/original/i/F2951346973364229745664321903159/business-card.png
https://freight.cargo.site/t/original/i/S2951355166577843804130219907639/Identity-BusinessCards--Mockup.jpg
<h2>Business card<br />
<br />
</h2>
https://freight.cargo.site/t/original/i/E2951372739204502836881023031863/2026-05-23-19.50.33.png
<h2>I chose Times New Roman as the core font. This choice
stems not only from its classic, rational, and highly legible
visual characteristics, but more importantly, from the
subtle visual resonance it creates with my personal brand
concept.
The most crucial element in the brand name is the "1"—
symbolizing a new beginning. Visually, there's a simple yet
restrained similarity between the Arabic numeral "1" and
the Roman numeral "I," and the serif structure in Times
New Roman reinforces this "classical symbolism," creating
a subtle cross-temporal dialogue between the concept of
"1" and the modern era. Therefore, this font not only serves
to convey information but also participates in expressing
the core concept of "new beginning" within the visual
context, making the typography itself part of the brand
narrative.<br />
<br />
</h2>
https://whosirisgu.com/manifestos
2026-05-23T20:51:52+00:00
always
0.5
https://freight.cargo.site/t/original/i/P2855285606026033913106547595831/Manifestos.png
<a class="circled" href="main" rel="history"><br />
Back</a>
https://freight.cargo.site/t/original/i/A2855305438046800581950651750967/Manifestos1.png
<h2>For me, being “creative” is not a label rooted in talent, but a state of continuous choice. I am learning to live with uncertainty, to accept the slowness and repetition of inspiration, as well as the doubt and revision that inevitably come with making. Rather than chasing a constant flow of good ideas, I care more about whether I have the patience to bring vague feelings into clarity gradually.<br />
<br />
At the same time, I am rethinking the weight of expression. Not every idea needs to be realized, and not every work needs to be seen. Restraint, judgment, and the ability to leave space are all part of the process. I hope to be honest with my inner voice while remaining sensitive to the world outside, finding my own position somewhere in between.<br />
<br />
This manifesto is not a definition, but a direction I continue to calibrate.</h2><br />
https://whosirisgu.com/roam-1
2026-05-23T20:49:32+00:00
always
0.5
https://freight.cargo.site/t/original/i/Z2943710022922580725708028893751/VI.gif
https://freight.cargo.site/t/original/i/R2943712248411572754323174054455/_DSC2791.jpg
https://freight.cargo.site/t/original/i/G2943712337527793374414017911351/_DSC2790.jpg
<br />
<h2>During the development of the ROAM project, I explored how graphic design can encourage people to reconnect with nature in urban life. The project integrates branding, packaging, typography, and interactive elements to create a serene and thought-provoking visual identity.<br />
<br />Throughout the process, I researched sustainable materials, outdoor visual culture, and the interaction between people and public spaces. These findings guided my use of seed paper, natural tones, and tactile applications, such as textured fabric labels. Through experimentation with composition, typography, and materials, I developed a visual language that is both minimalist and natural. The project also enhanced my conceptual thinking and problem-solving skills. I considered not only the final product's appearance but also how the audience can experience it through touch, movement, and interaction. Elements such as walking dice and plantable cards transform the brand from a purely visual system into an interactive experience.<br />
<br />Looking back, this project helped me grow into a more reflective designer and taught me how to balance concept, aesthetics, and functionality while maintaining brand consistency. More importantly, I realized that design can subtly influence people's behavior, guiding them to slow down their pace of observation, stimulating curiosity, and enhancing their perception of their surroundings.<br />
<br />
<br />
<br />
</h2><div style="text-align: center"><a class="circled" href="main" rel="history">Back</a></div>
https://freight.cargo.site/t/original/i/J2943712841105459842611067476535/_2.png
https://freight.cargo.site/t/original/i/I2943713832710187524868014594615/_DSC2820.jpg
https://freight.cargo.site/t/original/i/B2943713832728634268941724146231/_DSC2828.jpg
https://freight.cargo.site/t/original/i/V2943714151451478374495356967479/seedcards.png
https://freight.cargo.site/t/original/i/B2943714431620627365996026911287/T-Shirt-on-Street.jpg
https://freight.cargo.site/t/original/i/P2943717154101798228493911710263/tags.jpg
https://freight.cargo.site/t/original/i/V2943717965094454685060638956087/dices.jpg
https://freight.cargo.site/t/original/i/R2943724521528467083278022072887/cavas-bag.jpg
https://freight.cargo.site/t/original/i/I2951288299768461009546077788727/Untitled---2026523-18.23.50.png
<h2>Handmade tag<br />
<br />
</h2>
https://freight.cargo.site/t/original/i/E2951290506441774082977480301111/_DSC2800.jpg
https://whosirisgu.com/whiplash-bloom
2026-05-23T20:49:31+00:00
always
0.5
https://freight.cargo.site/t/original/i/R2852437497123133439578345036343/Typeface-poster.jpg
<h2><b>Whiplash Bloom<br />
<br />
</b>
<br />
Inspired by the Crocus and Whiplash line, organic and stylized.</h2>
https://freight.cargo.site/t/original/i/H2852437621122147103053950999095/type-design-editorial-01.jpg
<h2><b>Whiplash Bloom<br />
<br />
</b>
<br />
Inspired by the Crocus and Whiplash line, organic and stylized.</h2>
https://freight.cargo.site/t/original/i/Z2857347317353244785000093047351/A4-Tyepdeisgn-poster.jpg
https://freight.cargo.site/t/original/i/J2857347559725015169469891729975/Typeface-disign.png
https://freight.cargo.site/t/original/i/M2857348591635878652782209129015/IMG_2230.JPG
https://freight.cargo.site/t/original/i/G2951490002057526404117441272375/Urban_Poster_Mockup.png
<span class="circled"><br />
<a href="main" rel="history">Back</a></span>
https://whosirisgu.com/gap
2026-05-23T20:49:31+00:00
always
0.5
https://freight.cargo.site/t/original/i/C2852430050320124835622034070071/IMG_6180.jpg
<h2>Photography</h2>
https://freight.cargo.site/t/original/i/Z2852433565753036450598704634423/Untitled_Artwork-1.png
<a class="circled" href="main" rel="history"><br />
<br />
Back</a>
https://freight.cargo.site/t/original/i/Z2852433565789929938746123737655/Untitled_Artwork-2.png
https://freight.cargo.site/t/original/i/T2852434526072086183844252211767/Untitled_Artwork_.png
https://freight.cargo.site/t/original/i/X2951335890025434682828134013495/.JPG
<h2>Sketches of the gaps</h2>
https://whosirisgu.com/cage
2026-05-23T20:49:31+00:00
always
0.5
https://freight.cargo.site/t/original/i/D2852424871950128463876704426551/IMG_6180.jpg
https://freight.cargo.site/t/original/i/Q2852424871987021952024123529783/poster2.png
<h2 style="font-size: 11.5082px; letter-spacing: 0em;">A poster <br /><br />“The strategies High Modernist designers concocted to advance the cause of anonymous typeforms, under the guise of legibility or historicism, are generally misread. Conventional post-modern grumbling imagines a hygienic programme aimed at stripping the world of decoration. But the Modernist promotion of characterless or timeless typeforms is, in fact, a self-serving endeavour to protect the precious commodity of originality ascribed to the designed object. If artistic originality is key to the notion of Modernism, the Modernist object must, by its very nature, speak of the genius of its maker. The authority of the designer lay in his or her ability to manipulate standard forms into images which told of individual originality.<br />
<br />As letterforms have become more personal and, in themselves, more intimately connected to their makers, the authorship of the designed object is increasingly muddled. If a poster is designed using a typeface that is clearly identified with Neville Brody, is the genius of the design in the letterform or in the arrangements of the letterforms? Who is the author of the work? Whose originality is paramount? At the same time, the genius of the type designer is diluted as their fonts become widely available, allowing their signature style to be easily appropriated. As typefaces increasingly become design statements in themselves, the crisis of design authorship intensifies.<br />
<br />As Krauss puts it, ‘a prison in which the caged artist feels at liberty’.”
<br />
<br />
<br />
<br />
<br /></h2>
https://freight.cargo.site/t/original/i/F2865623402430098812921155410487/CAGE--FONT-DESIGN.png
https://freight.cargo.site/t/original/i/V2865623402466992301068574513719/CAGE2.png
<h2>In the project, I focused on developing a font that escapes the clichés of modernist theory and can express emotions clearly, balancing Culture and freedom of expression, reflecting Monotype's rich heritage while incorporating contemporary design trends. My design process included extensive research on font structure and typographic history, and was inspired by a paragraph in Eye Magazine's Beyond typography, "The caged artist", aiming to break the conservatism and restrictions of fonts. Cage is the keyword of the entire project and the entry point of my design.</h2><br />
https://whosirisgu.com
2026-05-23T20:53:53+00:00
always
0.5
https://freight.cargo.site/t/original/i/G2852381396147186711141588392503/IMG_6190.jpg
https://freight.cargo.site/t/original/i/T2852414921315206503101823965751/.png